By Gaslight by Steven Price

IMG_0083When I requested this book from NetGalley, I vaguely thought it would somehow be about Jack the Ripper. What I found, though, was an intricate, unique, if somewhat wordy story revolving around William Pinkerton of the American Pinkerton Detectives and Swell Mob Prince Adam Foole. Pinkerton and Foole collide over the death of Charlotte Reckitt, one of them hunting her and one loving her. What begins as a seemingly simple story takes many twists and turns throughout to an ending that leaves room for a sequel.

Pinkerton has traveled to London to find Charlotte Reckitt, who he thinks has information about the mysterious Edward Shade, a man who apparently obsessed Pinkerton’s late father. Just as Pinkerton closes in on Reckitt, she jumps off a bridge. Days later, her mutilated body, minus its legs, shows up in pieces. At the same time, Foole returns to London from the U.S. after receiving a letter from Charlotte asking for his help. Despite her betrayal of him years before, he responds.

The story begins to get all twisty once Foole and Pinkerton have the same goal – find out who murdered Charlotte Reckitt. Betrayal, deceit, and loyalty all drive the major passions of this story, which neatly ties up all the loose ends around Charlotte Reckitt, Adam Foole, William Pinkerton, and Edward Shade. For now.

Price does a fine job of drawing compelling characters, and his story is fresh. I was reminded of Caleb Carr’s classic The Alienist a few times while reading this one. Pinkerton, while totally driven to catch the bad guys, is also smart and has a sensitive side. Foole, the slick con man, also has a conscience and loves deeply. The secondary characters, Molly and Fludd, are appealing for their devotion and loyalty to Foole. I want to read more stories about all of these characters! My only quibble with this was the length. As I was reading an Advanced Reading Copy, I expect there is room for some editing. My issue here, though, was only my impatience to get on with the story because it was so good. I do suggest that the reader keep a dictionary of 19th century slang handy, because there’s lots of it here.

By Gaslight is a fine entry into the 19th century crime fiction class, and Pinkerton & Foole have the potential to become a Holmes and Moriarty should the author choose to write more about them. I hope he does. Highly recommended.

In This Grave Hour by Jacqueline Winspear

IMG_0082Winspear’s Maisie Dobbs series has been one of my go-to’s for years, both for my own reading and for recommending to others.

Until, however, the 11th entry.

A Dangerous Place completely put me off the series because of the horrifying (and, in my opinion, unnecessary) tragedy our heroine experienced right at the beginning. I can’t remember being so shocked at a twist in a series. So, I put Maisie away for awhile.

Then In This Grave Hour was published this year, and I thought I’d get reacquainted with the series. I found an older and wiser Maisie, to be sure, but also a woman who has experienced tremendous grief and is only just recovering some semblance of “normal” life. She has returned to London and restarted her detective agency with the ever trustworthy Billy. She has the means to live comfortably, and she does, even if alone and lonely. Then, England goes to war with Germany, which changes everything…and nothing.

Finding the mysterious Francesca Thomas in her garden late one afternoon, Maisie is once again plunged into a mystery. Thomas, a secretive and powerful attache with the Belgian Embassy, asks Maisie to investigate the death of a former Belgian refugee who was found executed outside his place of work. While Maisie takes the job, she knows that Thomas has not been entirely truthful with her. As Maisie delves deeper into the investigation, she uncovers a web of deceit stretching back to the First War. This part of the story seemed incidental to the bigger story of Maisie herself. The plot here was a little muddied and not terribly compelling. The real story here is Maisie.

While the Thomas investigation gives us the professional side of Maisie Dobbs, the declaration of war reveals the unsteady and somewhat raw personal side. Maisie must cope with the possibility of her beloved “nephews,” the offspring of best pal Priscilla, going off to war and never coming home. She is also drawn back to Surrey, where her father, stepmother, and mother-in-law are coping with children from London being resettled to the country. Maisie is particularly taken with a small girl who doesn’t speak and doesn’t seem to belong anywhere. Though both father and stepmother warn her not to get too attached to the child, Maisie can’t help herself.

In This Grave Hour is a watershed moment for Maisie. She has restored her career, she appears to have made as much peace as possible with her losses from A Dangerous Place, she is tentatively reconnecting with an old male friend, and I am predicting that the introduction of Anna, the displaced child, foreshadows a shift from Maisie the Student to Maisie the Teacher. She is slowly stepping into Maurice’s shoes (for those of you who haven’t read Maisie, Maurice was her mentor), bringing the series full circle. Winspear has won me back, and I am once again eagerly anticipating the next entry in the Maisie Dobbs series. Highly recommended.