Practical, unassuming Jane Shoringfield has done the calculations, and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town.
Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed. Gone is the bold, courageous surgeon, and in his place is a terrified, paranoid man—one who cannot tell reality from nightmare, and fears Jane is an apparition, come to haunt him. By morning, Augustine is himself again, but Jane knows something is deeply wrong at Lindridge Hall, and with the man she has so hastily bound her safety to.
Set in a dark-mirror version of post-war England, Caitlin Starling crafts a new kind of gothic horror from the bones of the beloved canon. This Crimson Peak-inspired story assembles, then upends, every expectation set in place by Shirley Jackson and Rebecca, and will leave readers shaken, desperate to begin again as soon as they are finished.
Whoa, I did NOT expect this book to be what it is. I was expecting a 21st century version of the gothic horror/romance. What I found was this weird and terrifying blend of Jane Eyre, Frankenstein, and even a little of Castle of Otranto thrown in for good measure. Still not quite sure how I feel about it.
The characters of Jane and Augustine are well-developed, a task that becomes increasingly difficult and hard to follow as they descend into madness or whatever state the author intended at the end. Jane especially goes from confident, determined, buttoned-up partner (not wife initially) as she negotiates her future, to her highly emotional state at the end. (Not really a spoiler because the ending is just HOLY HELL!)
The text is somewhat dense, but not weighed down by the flowery descriptive conventions of 18th and 19th century gothics which can truly dull the senses until – WHAM – the author hits you with a scene that makes your hair stand on end. Starling follows that path, but her writing is far more accessible.
Fans of gothic horror will enjoy this, but I wonder if they will pass it by thinking its another “Jane Eyre?”
Publication Date: October 5, 2021
Published by: St. Martin’s Press
Thanks to Netgalley for the review copy