There are people who love to read and prize the story above all else. These people will read anything – traditional printed books, e-books, magazines, comic books, and so on. Then there are others who love the form of the book as much as the words. These people love the feel and smell and heft of a book. They appreciate the font used to create the words, the paper used to create the pages, the color used to create beautiful endpapers or illustrations, and the art of the cover. A book is a book is a book.
In the little book of BOOK MAKING by Charlotte Rivers, the art of creating a book is broken down into multiple types of processes that artists and crafters can use to create beautiful handmade books. Rivers begins by offering an “anatomy of a book” that illustrates and describes all the different parts of a book – signatures, endpapers, head- and tailbands, the case, covering, backing material, and spine. This simple illustration and accompanying text is useful for any beginning bookbinder and will be something a budding book artist will refer to again and again.
Rivers then introduces the reader to a number of accomplished book binders and artists from around the world. Their featured work illustrates types of book creation such as folded bindings and includes intricate work from artists like Gabriela Irigoyen, Thereza Rowe, and Becca Hirsbrunner among others. Each page features a different artist, including photos and descriptions of their work. The same descriptive process is followed for chapters on sewn bindings and packaging.
Rivers reserves the final chapter for “Bookmaking in Practice” where she gives the tools and steps needed to begin binding your own books. I nice set of illustrations and descriptions of necessary tools precedes instructions written by individual artists on how to make a variety of books, from an “Instant Book” to accordian, carousel, and dragon books. Also included are step by step instructions on various binding techniques such as pamphlet stitch, coptic stitch, long stitch, and Japanese stab stitch. Finally, instructions for creating a case binding, marbling endpapers, hand-dying paper, and creating cloth-covered boards are also included.
While the drawn, illustrated instructions might put some people off, they work in this little book. The instructions are clear, and using photos of real artist bound books to demonstrate different aspects of book making helps makes this a handy guide for anyone interested in trying book making.
Recommended for library collections and students.