Folktales speak to us of ancient people, places and things. Dark caverns, spooky forests, mysterious voices that carry on the wind, power over life and death, and so much more. All these things confounded our ancestors, so they created stories to explain the “why” of things like snow, waxing and waning moons, flight of birds, and luck. Those long ago ancestors also believed that there were guardians, or house gods, or chyerti who protected the family from evil…as long as they were fed and cared for and believed in. And that’s where Katherine Arden’s glorious Winternight Trilogy begins.
In Book 1, The Bear and the Nightingale, we meet Vasilisa, the youngest daughter of Pyotr of Lesnaya Zemlya. Vasya, as her family calls her, can see the chyerti who are beginning to fade as the new Christian religion takes hold in Russia. Warned to always care for the chyerti, who keep evil away from the family and village, Vasya continues to practice the “old ways” until her father brings a new stepmother home from Moscow. Anna is a devout Christian who sees evil at every turn, but especially in Vasya, making it hard for Vasya to honor the chyerti. As the chyerti are neglected, an old evil awakens in the form of a monstrous Bear and terrible things begin to happen in the village. Vasya invokes Morozko, the Winter King, to help save her family and village from the Bear and his horrible minions, but also to save herself from a vengeful priest who seeks to burn her as a witch.
Girl in the Tower picks up where Bear & the Nightingale leaves off – with Lesnaya Zemlya safe, and Vasya setting off on her own with the magnificent horse Solvey, gifted to her by the Winter King. Her only wish is to see as much of the world as possible, but she quickly comes to realize just how difficult that will be without assistance. She seeks out the Winter King, who reluctantly helps her on her way, disguised as a boy. Along the way, Vasya stumbles upon her older brother, Sasha, and their cousin Dmitri, the Grand Prince of Moscow and joins forces with them to defeat a greater evil, Kaschei the Deathless. Their quest takes them back to Moscow, where Vasya is reunited with her older sister Olga, the Princess of Serpukhov. Olga lives in Moscow with her husband and children, one of whom has inherited the ability to see the chyerti. Vasya’s adventures in Moscow end in a thrilling showdown with Kaschei, and a very satisfying ending which foreshadows the final entry in the series.
Throughout both novels, Vasya struggles with her intense desire to be free. She doesn’t want to marry, nor does she wish to enter the convent which are the only two options for young women of her time. She relishes the danger and thrill of her relationship with Morozko, the Winter King, and Arden has done a masterful job of creating tension and attraction between the two. Arden has created interesting characters in Bear & the Nightingale, and has spent considerable time fleshing them out in Girl in the Tower. Vasya, Sasha, Dmitri, Olga, and now Marya create a world that will pull you in and envelop you with their spirit. While the story is captivating on it’s own, Arden’s writing is icing on the cake. Lyrical, lush, and full of magic and mystery, it will keep you reading well into the night. Truthfully, I haven’t loved a series as much since I first read Harry Potter. Highly recommended.
Elizabeth and Zenobia are inseparable. Light and dark. Timid and brave. Yin and yang. So when Elizabeth’s father decides to move the family to Witheringe House after Elizabeth’s mother runs off with an opera singer, of course Zenobia comes along. The key, though, is that no one but Elizabeth can see Zenobia. Her father *knows* about Zenobia but dismisses her as an “imaginary friend,” even as he plays along with his daughter’s insistence that Zenobia is real.
“Writing itself was a magical act in which imagination altered reality and gave form to power.”
I fell in love with Eowyn Ivey’s work when I read her debut novel,
The concept of women’s power being rooted in magic has become a regular theme in recent fiction, and The Secret History of Witches adds to that growing genre. Louisa Morgan has created a captivating tale of six generations of Romani witches, women whose talents include “simples” like healing potions, knowledge of the weather, affinity for animals or growing things, and, most importantly, seeing the future.
Elizabeth Stuart (1596-1662), daughter of James VI, wife of Frederick V, known as the Winter Queen due to her single winter as Queen of Bohemia. Not a familiar queen to most, but an engaging subject in this entertaining piece of semi-historical fiction from Nicola Cornick which blends history, mystery, mysticism, and romance.
Part mystery, part psychic adventure, part romance – The Fortune Teller has it all. The story opens with a death, that of Marcel Bossard, renowned collector of rare books and manuscripts. That disturbing scene is followed by our introduction to Semele Cavnow, an employee of the auction firm hired to sell the Bossard collection. As she begins her work, she feels an immediate, unusual attraction to Bossard’s son, Theo, which only intensifies as she spends more time in the Bossard home in Switzerland. Eventually, she finds a hidden book, very ancient and very mysterious, but not as mysterious as the handwritten note left in the book by Marcel Bossard, which is addressed specifically to her.
How could I resist a book inspired by one of my all-time favorite pieces of writing, Christina Rossetti’s
Marcykate Connolly has begun a wonderful new series with Shadow Weaver, which tells the story of Emmeline, a child blessed with talent bestowed by a comet that passed overhead when she was born. Emmeline’s talent is, as the title suggests, the ability to control shadows. However, Emmeline’s parent consider her talent more of a curse than a blessing, and have kept her hidden away on their estate for years. Emmeline is an outcast in her own home, reviled and avoided by family and servants alike, with no friends other than her shadow, Dar. When Emmeline’s parents invite strangers into their home who claim they can cure her of her talent, Emmeline and Dar run. Emmeline is running from the very real danger posed by the strangers, emissaries of the much-feared Lady Aisling, while Dar is running for a very different reason. As Emmeline encounters others with talents and begins to understand that she is not alone, Dar becomes increasingly cantankerous and sly, urging Emmeline to help her escape the shadowland and become flesh once more.