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Archive for June, 2017


IMG_0101I love a good ghost story, and this one has some pretty creepy, shivery moments. Combine those spine-tingling scenes with an interesting backstory and you’ve got a solid, satisfying read.

We meet our protagonist, Rilla Brae, as she’s still reeling from the sudden death of her father and coping with the life changes that accompany tragedy. Rilla, born and raised on the ocean helping her father fish for lobster off the coast of Maine, feels obligated to take on the family fishing grounds, which means giving up an academic scholarship to Brown University and staying in Maine. At the same time, she’s struggling with a changing relationship with her boyfriend and an absent, mentally ill mother. It’s a lot for anyone to handle, but Rilla meets the challenges head-on, with help from her Gram.

One day while out on the ocean, Rilla sees a young woman on a deserted island and hears an eerie song that calls to her. Haunted by her mother’s illness, where she claimed to hear and speak to the Water People, Rilla worries that she’s going mad. In an attempt to make her “girl” real, she explores the island where she first spotted the girl. There she meets Sam, a college student conducting an archaeological dig on the island looking for a lost community. Sam and the story of the island community help focus Rilla’s experiences as the ghost girl becomes more and more a part of Rilla’s life.

That period of time between high school and college is a time of change for most people. Rilla’s typical experiences are magnified by her father’s death, her sudden visual and auditory “hallucinations” of the girl, and a shocking revelation about an ugly period in the history of her community and family. Parker does a good job conveying the fear, excitement, guilt, and eagerness new high school graduates feel as they prepare to move on to new lives and new friends as they begin college. She successfully takes that universal story of growing up and pairs it with both a truly creepy ghost story and an interesting piece of history. Some of the ghostly parts were scary enough that I had to stop reading for a bit, especially after the scene where the ghost shows up in Rilla’s bed. The historical side to this story piqued my interest and prompted me to research the early island communities of the eastern seaboard. Fascinating stuff!

All in all, a satisfying story. Take this along on your summer vacation. You’ll thank me.

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Everything was more sacred than yourself, and your own longings were the least sacred thing of all.

IMG_0100This single sentence beautifully conveys the spirit of this gem of a story about a 60 year old woman who suddenly finds her life unbearable. When we first meet Marianne, she is readying herself to take a final plunge into the Seine in a desperate attempt to end her boring, insignificant life. Then we witness the first of many times Marianne’s life is saved, literally and figuratively, throughout the story.

That first “save” launches Marianne on a journey across France which begins as a quest to drown herself in the sea and ends with her figurative rebirth as a woman. Along the way, an incredible sequence of events, initiated by a painted tile of a seaside village, draws her closer and closer to Kerdruc, the lush and magical Breton village depicted on the tile. As Marianne journeys across France with nothing but a bit of cash and the clothes on her back, she reflects on the loveless marriage and cold-hearted, indifferent husband she’s running from, and begins to remember the girl she was before she was a wife.

When she reaches Kerdruc and finds the sea, she lands in the middle of a quaint village full of colorful, kind-hearted people who accept her at face-value. Their kindness and friendship begin to change her and reverse her wish to die. It is the sea, however, that gives her the strength to reject the old Marianne and let the real Marianne come forth and embrace her own magic and, ultimately, find love.

Nina George has once again created a world full of magical, quirky, witty, and human characters who live and love enthusiastically. There’s all sorts of love here – unrequited, rejected, deep and old, hidden, and raw. George’s Marianne is the catalyst that brings multiple love stories to their apex, while at the same time, creating a new story all her own. Marianne’s story is all too familiar – the middle-aged woman who suddenly realizes most of her life is gone and she has nothing to show for it. She has become a maid for her husband, invisible except when he wants something, unable to assert herself and fulfill her own needs, essentially voiceless. Under George’s care, Marianne comes alive in the pages of this story, and ultimately sees herself as other see her, through an artist’s eyes. I was reminded a bit of a book I read years ago – Praisesong for the Widow by Paule Marshall – as I accompanied Marianne on her journey. Like Avey, the protagonist of that book, Marianne connects with the land and people of Brittany, and especially with the sea, just as Avey connects with her African ancestors. Their journeys were similar and powerful, sending a message about how women sacrifice their lives for others, often living their lives through their families, and how there is always time to rediscover the young woman who once dreamed of a very different life.

Sometimes stories like this one leave me sad and unsatisfied. The Little French Bistro left me feeling joyful and hopeful, something we all need a bit more of these days. This would make an excellent book for a group discussion. Highly Recommended.

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swizz vendettaYou know the old adage “Never judge a book by its cover?” Well, it was far from top of mind when I spotted this beauty buried in the Mystery section at Barnes & Noble a few weeks ago. Hadn’t heard of the author. Wasn’t discounted. Set in Switzerland. But the cover! It called to me. So, I bought it.

What I found was a first-in-a-series, gently meandering but totally clever whodunit featuring the completely likable Inspector Agnes Luthi, charming aristocrat Julien Vallotton, and a cast of memorable characters.

We meet Agnes as she negotiates rapidly deteriorating roads, attempting to reach the grand Chateau Vallotton in the middle of the worst snow & ice storm Lausanne, Switzerland has seen in decades. The body of a young woman has been found outside the chateau, and Agnes is called to investigate her first case in the Violent Crimes Unit of the Lausanne Police Department. She manages to reach the chateau, where she finds herself snowed in with two fellow detectives, members of the Vallotton family, and assorted other characters, one of whom is most definitely a murderer. Even while she is neck deep in the murder, we find that Agnes is also wrestling with some personal tragedy. Her investigation becomes her own catharsis, leading to a very satisfying ending.

The author manages to weave Agnes’ personal tragedy into the story, so that the reader begins to know Agnes at the same time Agnes begins to know her suspects. Agnes herself is a welcome female protagonist, a professional woman who is also a mother trying to do the best she can and not always succeeding. This is one of those unusual mysteries that ride the rails between “cozy” and “hardboiled” detective fiction, which is a niche in which I will happily hide. In some ways, Agnes reminded me a bit of Martha Grimes’ Richard Jury, if that character had been female. I was delighted to find out that this is, indeed, the first in a series. The second in the series, A Well-Timed Murder, is scheduled for release in February 2018. Here’s hoping to finding an advanced reading copy!

Highly recommended.

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IMG_0097Anthropologist Ruth Galloway is back in the latest from Elly Griffiths, The Chalk Pit. As usual, there’s a lot going on in King’s Lynn.

This time, we find Ruth preparing to head underground to examine human remains uncovered during a routine soil sampling process. At the same time, Ruth’s quasi partner DCI Harry Nelson and his police squad are dealing with several incidents: a hungover student reporting a man who appeared and disappeared in front of her car in the middle of the night, a homeless man reporting the disappearance of a fellow street dweller, and a sink hole that suddenly opened in the middle of a busy road.

It’s typical of Griffiths to introduce several story strands in the first couple of chapters, so it’s no surprise when all of those stories come together into a single fat braid. Griffiths skillfully blends in well-researched pieces of history and interesting facts about the King’s Lynn-Norwich area to her books, with the Chalk Tunnels being the star here. The chalk mining tunnels take center stage, as Ruth searches for the answer to the human remains, which appear to have been boiled, while Nelson and his team pursue a villain who has kidnapped three women and “taken them underground.” Wrapping around all the mystery is the continuing unrequited relationship between Ruth and Nelson. Clearly they want to be with each other, but both have misgivings or other commitments. And, as if their already complicated personal situation wasn’t complex enough, Griffiths introduces two major life experiences here – a death and an impending birth. As usual, their relationship ups and downs drive the story forward.

This is the 9th entry in the Ruth Galloway series, and they just keep getting better. Very often, a series has a single focus – it’s a mystery, it’s a thriller, etc. – and the author excels at the genre, but isn’t always able to build a convincing world for their characters. Griffiths does that masterfully in the Galloway series. The mystery is a part of the world, something to be handled and managed and solved, but the core of the story is always the characters and their relationships with one another. While Ruth and Nelson are the apex characters, Griffiths has spent a good deal of time fleshing out the supporting characters, which makes them and their world real.

At the end of this, I am left impatiently waiting for the next entry, and pondering the question, “Who’s the father?” If you haven’t read the previous 8 books, go get them, binge read 1-9, and then grab up #10 as soon as it comes out.

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IMG_0091Those of you who know me, know I am a maniac when it comes to baking cookies for Christmas. My baking frenzy begins right after Halloween and, by mid-December all the freezers in my home are filled to the brim with dozens of varieties of cookies.

The rest of the year, I am on the look-out for new recipes, so I was happy to find this gem of a book through NetGalley. There are plenty of tips here for beginning bakers, covering baking, decorating, and storing cookies. The author divides the recipes into classics, cookies suitable for a cookie exchange, spiced cookies, cookies from around the world, cookies suitable for fancy decorating, and confections.

The recipes are simple and straightforward. If special equipment is required, it’s noted clearly. These are tasty, good-for-the-soul cookies that don’t require tons of special ingredients, equipment, or talent. The recipes are accompanied by tasteful and colorful photos of cookies that look like even a beginner could make them. The writing is warm and casual, inviting the reader to give the recipes a try without judgement. I thoroughly enjoyed reading through this and saved some recipes to try this year.

Recommended for all bakers.

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